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![]() Hypertext Essay #1: Introduction©1995-98, 2000 by Scribble & Count, LLC. All rights reserved.(Written 11/95; rev. 11/98) Hypertext means "super text" -- and for some uses, it really is super. But traditional forms (oral, print, sound, video) are better for other purposes; that's one of the two themes that will permeate this series of essays. The second major theme is that hypertext, combined with the telecommunications revolution it normally requires, is the biggest information change since printing and part of the biggest economic change since industrialization. It will be a major part of your life for the rest of your life. (See Toffler & "Cyberspace..."; supporting citations are at the bottom of the essay.) ContentsThis introductory essay has the following sections:What Hypertext Is Linear & Recorded Communication Hypertext: Some Things Old, Some Things New Citations Invitations to Dialog What Hypertext IsHypertext is traditional text, electronically displayed, with embedded electronic "GO" commands (also called "jumps" or "links"). The jump can go:
Hypertext (we prefer the generic term, unless a multimedia aspect needs to be emphasized) has been around for more than 20 years -- but it wasn't until 1990-91 that it became widely used. That was when the Internet adopted it to navigate through long emails or ftp documents (HTML), and Microsoft made it the basis of their online help (WinHelp).
Before we go any further, let's keep the two themes in mind. We have a lot more to say, but nothing's going to conflict with these:
Subjects of later essays will be determined by then-current events. (If the "Hypertext Wars" are still raging, we'll analyze the situation. Then we'll discuss the types of hypertext and their corresponding tools. Eventually, we'll probably speculate on hypertext's mid-term future -- and end up being sorry we tried.) Linear communication goes in one sequence, determined by the author. (Interrupting the speaker, moving the phonograph arm to skip a song, and going to the refrigerator during a TV commercial are exceptions, but not significant ones. Even channel surfing is a minor exception, because each channel is a linear presentation; what surfing provides is diversity, not non-linearity.) Linearity makes causality clear and verifiable, but it's a monologue with no audience input. If something is recorded, it can be preserved and distributed. And a record makes verification much easier, because you can refer to exactly what the author claimed previously. Demagogues and bait-and-switchers hate a record; it's a fire you can hold their feet to. That's one reason for the proliferation of telemarketing: you can't recreate in a complaint exactly what the salesperson promised (or you think they promised) on the phone.
Hypertext: Some Things Old, Some Things NewHypertext/hypermedia is recorded and nonlinear; so it has several elements common to its predecessors, plus a lot that's brand new:
Citations"Cyberspace and the American Dream: A Magna Carta for the Knowledge Age", release 1.2 (22-Aug-94). By Esther Dyson, George Gilder, George Keyworth, & Alvin Toffler. Http://www.pff.org:80/position.htmlToffler, Alvin. Third Wave. New York: Bantam, 1981. Invitations to DialogIf your company (or a group you're associated with) is located along the Colorado Front Range from Longmont to Colorado Springs (including Gilpin, Clear Creek, and Summit counties), we have a presentation available on hypertext and where we think it is going -- and we'd be happy to present it to you. We've addressed professional organizations, user's groups, and chambers of commerce -- so we can customize the material to your needs.Please email us for further information.
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